Showing posts with label Studio. Show all posts
Showing posts with label Studio. Show all posts
Tuesday, 19 November 2013
HeartBeat
Mixed a wonderful track today for Jayney Klimek - a reworking of a track we already worked on together. Beautiful.
PUSH arrives from Ableton
Had a great demo of this device from Nick Hook and now I have my own. Feeling excited and inspired by it!, and looking forward to making more time to practise.
Wednesday, 7 March 2012
I am looking for occasional Assistant - must be down with Logic
This is not a full time job, rather VERY part time.
Wednesday, 29 February 2012
David's Lyre in the Pool
Great session with Paul in the Pool Studio (Thanks to Miloco) yesterday recording the songs that he has been performing live. Just Vocal and Electric Guitar. A real session with filming (videoing?) too. Coming your way soon we hope.
Thursday, 12 January 2012
Tuesday, 21 December 2010
Mixing Outside the Box - how and why
I know I keep banging on about this month's thrill - coming out of the box for the Sons and Daughters record. So I thought I would explain my thinking (and feeling). The project was beautifully recorded onto "One Inch" 16 track Analogue Tape. I wanted to integrate my usual "In the Box" mixing method into the whole process. I have fallen in love with the working method of setting up mixes and adjusting them later after input from Band, Producer, Record Company. Letting the mixes grow and be inspired by different tunes and mixes across the album is a method I really value, as a way of navigating the route to the best possible result, especially when I am not mixing the whole time with the band.
So I put together a "white room" for a month at Strongroom, initially with my rig, Apogee Ensemble and Metric Halo ULN-8 convertors, and a rented Fat Bustard. This has enabled me to work alone, and with Scott from Sons and Daughters and Keith (the producer). Recall on the Fat Bustard is very simple (most of the controls are notched), and everything else is recalled with the session and so the album has been taking shape nicely.
Finally I have rented an Ampex ATR 102 for a day at the very end of the session, so when all the mixes are approved I shall be able to print the whole album to half inch tape at 30 ips, as well as back into Logic at 96k.
So I put together a "white room" for a month at Strongroom, initially with my rig, Apogee Ensemble and Metric Halo ULN-8 convertors, and a rented Fat Bustard. This has enabled me to work alone, and with Scott from Sons and Daughters and Keith (the producer). Recall on the Fat Bustard is very simple (most of the controls are notched), and everything else is recalled with the session and so the album has been taking shape nicely.
Finally I have rented an Ampex ATR 102 for a day at the very end of the session, so when all the mixes are approved I shall be able to print the whole album to half inch tape at 30 ips, as well as back into Logic at 96k.
Saturday, 18 December 2010
Aggregate Audio Issues in my World - a simple solution
I came out the box for the Sons and Daughters LP Mix, and it was a new experience for me. I have successfully tracked in the past with my ULN-8 and my Ensemble at 44.1k so I was hoping for a simple and stable solution again - though this project was 96k. I had quite a few problems - interfaces not being recognised, terrible glitchy audio, no audio, Logic complaining about wrong sample rate and more. I had to replace the firmware on the ULN-8 and the Ensemble although both were already at latest firmware and latest drivers when I started the project, it seemed they became corrupted. Shutdowns did not always solve the problem, and though I was enjoying the project, the music, the audio and the challenge I found it very frustrating at times, and wondered if my system would be more stable with 2 Ensembles or 2 ULN-8s instead (though I would still have to aggregate). I also considered (and am still very interested in) a non aggregate 16 output system using an Aurora 8 hooked up to my ULN-8.
After reinstalling the firmware on the Ensemble I followed the instructions exactly and switched on the computer before powering up the Interface. This made me think that switch on order might be important, so from then on I booted the computer before switching on any Audio Interfaces. This seems to work very much better, and now my system seems to be stable and very useable.
After reinstalling the firmware on the Ensemble I followed the instructions exactly and switched on the computer before powering up the Interface. This made me think that switch on order might be important, so from then on I booted the computer before switching on any Audio Interfaces. This seems to work very much better, and now my system seems to be stable and very useable.
Monday, 22 November 2010
Friday, 12 November 2010
Mixing
I write about my attempts to get a great sounding mix (in German). Here.
Mixing LP for Noam Rotem
Had fun mixing an LP for Noam Rotem at The Crescent. Stormy in London, Sunny in Tel Aviv. Communicating with Dropbox and Skype.
The Producers - Red Bull & VBS 6 part series
Saturday, 19 June 2010
Wild Palms LP
Recording Finished. Pop Up Studio dismantled. Mixing next month.
Saturday, 12 June 2010
Wild Palms LP
2 weeks into recording and everything sounding fresh and exciting. Next week - vocals, acoustic guitars, strings and final percussion plus a couple of electric guitars. Then mix!
Monday, 22 March 2010
Video Footage at Hansa Meistersaal
Footage of our De-Re-Construction Time Again event on youtube
Sunday, 21 March 2010
Alan and I after the show in Hansa Studios MeisterSaal
Photo by Britt
Thursday, 18 March 2010
Preparing for our set tomorrow
Wednesday, 10 March 2010
Sleepy Sun have done a great version of The Chain
I have had the pleasure of mixing Sleepy Sun's live version of The Chain recorded at ATP vs The Fans last year.
Tuesday, 2 March 2010
Tuesday, 16 February 2010
Alphaville
Alphaville: Interesting afternoon in the studio with Marian and Martin working on arrangements and vocals for a new song. Replacing, reducing, editing, enhancing, focusing. Enjoyed supper afterwards in Teddington. Followed by a good phone conversation with Pete, (who is currently in NY) about ideas and ways of working. .
Friday, 12 February 2010
Wild Palms
Enjoyed a great day in the Limehouse Studios with Wild Palms recording A and B sides for a single.
Pics.
Pics.
Subscribe to:
Posts (Atom)