I know I keep banging on about this month's thrill - coming out of the box for the Sons and Daughters record. So I thought I would explain my thinking (and feeling). The project was beautifully recorded onto "One Inch" 16 track Analogue Tape. I wanted to integrate my usual "In the Box" mixing method into the whole process. I have fallen in love with the working method of setting up mixes and adjusting them later after input from Band, Producer, Record Company. Letting the mixes grow and be inspired by different tunes and mixes across the album is a method I really value, as a way of navigating the route to the best possible result, especially when I am not mixing the whole time with the band.
So I put together a "white room" for a month at Strongroom, initially with my rig, Apogee Ensemble and Metric Halo ULN-8 convertors, and a rented Fat Bustard. This has enabled me to work alone, and with Scott from Sons and Daughters and Keith (the producer). Recall on the Fat Bustard is very simple (most of the controls are notched), and everything else is recalled with the session and so the album has been taking shape nicely.
Finally I have rented an Ampex ATR 102 for a day at the very end of the session, so when all the mixes are approved I shall be able to print the whole album to half inch tape at 30 ips, as well as back into Logic at 96k.